// UNIVERSITY //
// PERSONAL //
PH. Sidorela Cuedari
Fabrizio has developed an interdisciplinary artistic practice spanning music, visual arts, performance and installation.
He has created and collaborated on projects presented at institutions and international venues, including the Venezia Biennale, Berliner Festspiele, Pirelli HangarBicocca in Milano, Tonhalle Zürich, Piccolo Teatro di Milano, LAC Lugano Arte e Cultura, Auditorium Parco della Musica in Roma, Hanoi Opera House in Vietnam, Teatro Manzoni in Bologna, Teatro Stabile di Torino, Museo delle Scienze in Torino, Kunstmuseum Basel.
As a pianist, he has focused on musical experimentation as a performer, composer and improviser.
From 2001 to 2004, he worked with Karlheinz Stockhausen on Mantra, Refrain and Komet, and performed in the premiere and recording of Sonntags-Abschied, the final chapter of Stockhausen’s monumental opera cycle LICHT.
He has collaborated with ensembles including MusikFabrik, Repertorio Zero, Neue Vocalsolisten Stuttgart and Vox Àltera.
His work as a director and visual artist explores the relationship between sound, image, space and performance, taking different forms across music theatre, video and installations.
He studied piano at the Turin Conservatory, before continuing his studies at the Zürich Conservatory with Homero Francesch and later in Lugano with Nora Doallo. Alongside his musical training, he studied composition privately with Bruno Zanolini. He later expanded his artistic practice through studies in film directing at the USC School of Cinematic Arts in Los Angeles.